Normal Life – Zhao bo

The use of logo imagery suggests consumerism culture


bright, happy colors and wide smile gives a sense of wierd.

The Sweet Embrace, 2008

Zhao Bo demonstrates extraordinary talent in his interpretation of traditional realism within a contemporary stage, namely that of the modern Chinese city. Unlike the political motivations of earlier avant-garde artists, New Realists came to age in an era of relative political stability, when one of the most pressing dilemmas is the forced reconciliation of the past and the neon-lit future. Awash in bold colors and chaotic iconography, the artist’s canvases serve as portals into the fragmentation that consumerism has wrought upon China’s once communal experience. Born in the 1970s, Zhao Bo grew up in a country of immense transition – bridging the divide of West versus East, Mao jackets versus Gucci, hutongs versus skyscrapers. It is this tension between the societal juxtapositions of life under the collectivism of Mao’s rule and that of post-1979 Deng Xiaoping Reforms that lends poignancy to his works.


Leave a Reply

Fill in your details below or click an icon to log in: Logo

You are commenting using your account. Log Out / Change )

Twitter picture

You are commenting using your Twitter account. Log Out / Change )

Facebook photo

You are commenting using your Facebook account. Log Out / Change )

Google+ photo

You are commenting using your Google+ account. Log Out / Change )

Connecting to %s